About Me: 

My work engages the nude as both language and mirror. Within it, the body becomes a site of ambiguity—simultaneously object and author, fragile and unyielding. I am less concerned with beauty than with confrontation: what occurs when the body is seen without pretext, when performance collapses and the self becomes uncertain.

The photographs are constructed as quiet disruptions. They examine how desire, shame, and power circulate through looking—and how visibility itself can both liberate and confine. I approach the human form not as an emblem of purity or provocation, but as evidence of existence: flawed, unguarded, and insistently real.

Light, in my process, operates as both instrument and adversary. It exposes, erases, and reshapes. Each image becomes an act of negotiation between what is shown and what remains withheld—between the intimacy of the subject and the intrusion of the gaze.

What interests me is not the nude as spectacle, but as a threshold—where the viewer must decide whether to see, or to look away.

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